Monday, April 28, 2014

Europe 2013

Last June, Josh and I went to Europe with some friends. 

It. was. awesome.


I have an embarrassing number of photos, which I'm still deciding how to share. But this post is about my journal.

The first time I went to Europe, I got lazy about my journaling about a month in and that may be my number one regret in life thus far. So this time around, I was determined to keep it up. Like, while everyone else was napping on the green(ish) lawn of the Champs du Mars in front of the Eiffel Tower, I was journaling. 

I also allowed myself to take some time at spots along the way and sketch. Have you guys heard about this study? It basically says that tourists remember art better when they observe it rather than photograph it, but also seems to reinforce something that I've always loved about sketching - it's such an active way to observe what's around you.


A sculpture in the Musee d'Orsay



A particularly chic French girl walking down the Champs Elysees (I only saw her for a brief moment and then did my best to commit every detail to memory. Best part was this silky, billowy brocade coat she had on. Showstopper.)


Eiffel Tower and a layout of our second airbnb in Montmartre.


Sacre Coeur



Nike of Samothrace. Forget the Mona Lisa - this is the Louvre's Piece de Resistance, imho. She's breathtaking. Something the Louvre does exceptionally well is arranging sculptures to best catch the abundant natural light. Makes for great photos and sketches.




Venus de Milo. I feel like she was the go-to model for lots of my freshman and sophomore year art courses. We're intimately familiar.



The page in my sketchbook dedicated to handy and interesting French words and phrases.


The old clocktower in Vernazza, Cinque Terre. I drew this while we were sitting by the sea, waiting for our waiter to come with our pizza and pasta. Cinque Terre was an absolute dream.


Enormous figure sculpted into the cliffs at Monterosso, overlooking the sea.




Fishing boats in the Vernazza Harbor, just before a thunderstorm.




Manarola




Botticelli's Venus at the Uffizzi in Florence. 



The Rights of Spring, or something? Is that what this painting is called? With Jack Frost Winter Personified, and the orange trees in the background? I should know this.


San Miniato al Monte, Florence.


The Duomo in Florence, from the Cafe Terrazza at the top of Rinascente (spelled totally wrong in my caption). We ran into Mona there, which was just about the happiest surprise we could hope for. Nothing makes you feel more like a local in a strange place than running into someone you know. She was just leaving with some friends and offered us her prime seat and view.




Detail of a window on the Duomo in Florence. It was pouring rain so we were standing under an awning in the Duomo piazza, waiting to meet up with Dave and Laura for dinner (which was lasagna).





A few sketches from the Medici Chapel! I was so excited to squeeze this visit into our last day in Florence. It's such a beautiful, peaceful room - and I learned that Michelangelo, worried about backlash from the Medici family after a political revolution, hid in a small back room connected to it for three months!! While he was there he covered the walls with drawings... undiscovered until the late 70's, I think. (Google it... there are some awesome photos!) I asked if I could buy a ticket to get in, but they said they no longer sell public tickets to that part of the chapel. It's probably just as well. 



Remains of the Temple of the Vestal Virgins in Rome.



Piazza Navona. It was a hot day and we got some gelato and rested behind this fountain. I sort of grimaced at the (back) view of Poseidon, shrugged, and opened up my sketchbook. Turns out this is one of my favorites. That's the great thing about sculpture - it looks good from every angle.





Maybe the most exciting thing to sketch was the Belvedere Torso at the Vatican in Rome. I'd seen it before, and sketched it before, but never both at the same time. Michelangelo sketched from this exact torso. (!!!!!!!!!! Totally still geeking out about it ten months later.)



Michelangelo's Moses at San Pietro in Vincoli in Rome. There was a morning mass service going on while we were all gawking at Pope Julius II's tomb. Can you imagine going to church in a place like that?



Flowers and cafe seating in Trastevere.


Some Italian lingo, and the view from the Boboli Gardens out over Rome. Our last night was spent overlooking a concert in the Piazza del Popolo and fireworks over the castle in the distance. 

It was a perfect, perfect trip.

So those were just the sketches... there's more Europe art coming soon!

Thursday, April 17, 2014

Invites

So.... arts and crafts, man. 

Last summer a really old and dear friend of mine was married in Portland. My mom hosted her bridal shower and I hated that I couldn't make it.* The best way I knew to help out was to take care of the invitations:





It's not really "art," exactly, but certainly a creative project that I enjoyed. Just a 50-pack of plain brown cards and envelopes (I sliced each notecard in half and rounded the corners using a corner-cutting stamp) and a few silver paint pens from A.C. Moore. My hand was pretty tired by the end of the night, but I like how they turned out.

*to her shower, I mean. I was a bridesmaid at her wedding and - I'd like to be very clear here - we rocked PDX that weekend.

Next post: 2013 Europe trip!!!!!

Sunday, March 30, 2014

I'm Back!

Oh man... so I don't even know where to start. I've been gone for more than a year. I have so much stuff to post!

Maybe we can start with Hawaii? Christmas 2012 was spent in Kona, Hawaii with my awesome family. It was a good halfway point since David was (still is!) in Japan. We had a really amazing time.


Aren't they a handsome bunch?


For Mother's Day, I sent Mom a simple pen and watercolor of one of our favorites - Hapuna Beach, along the northwest coast of the big island.





 Here's the ink drawing, taped off for watercolors:



And the final product:

"Hapuna Beach" Ink and watercolor on paper, 5x7  

There's something simple and low-pressure about watercolors... it makes sense that so many children's books are illustrated like this. 

Stay tuned for more!

Thursday, January 24, 2013

A Christmas Post

Let's pretend this blog post is dated, oh, a month ago. Work with me here.

The first year we were married, it was all I could do to get Christmas cards in the mail. I mean, we're talking thirty-some cards written, addressed, stamped, and mailed. I know.

I bought some cheap mediocre Christmas cards at a local buyout store and called it a day. Needless to say, there are no pictures of the cards from 2008.

Anyway, the year after that I really got with the program and produced these:


(front)
(back)


(Josh turned an extra card into a Christmas ornament, ergo the leather trimmings.)

Then the year after that I made these:


(envelope front)
(card front)


(back)


And this year I continued with the green theme and made these:


I have a hard time pinpointing my One Favorite Color, but if I had to choose, it would be green. In fact I'm secretly proud of my longstanding, unwavering loyalty to green - very few of my favorite things stay favorites for long. Anyway, it was pretty simple to decide on a color scheme for my Christmas cards, and I think this year I really got it right, what with the brown recycled cardstock and matching envelopes. Handmade; simple. Primitive, almost.

The quote is from what may be my favorite Christmas song ever - I Believe in Father Christmas by British prog rock band Emerson, Lake, and Palmer. The music video's somethin else, too:



Merry Christmas everyone!!

Saturday, November 17, 2012

Vast Dark Forests of Towering Evergreens

The great thing about being a painter is that you can commission yourself to paint whatever you want and you always sometimes, usually, ideally get just what you were hoping for.

One of the things I really miss about the PNW is vast dark forests of towering evergreens, and the soft hazy filtered light that envelops them. So I decided I would have it for myself, every day, in my house.

Somehow I lost some photos from my phone, including the photos of the first stages of this painting. Oh well. Here it is maybe three-fourths finished:


And the finished product:

Trees and Filtered light, oil on canvas, 24"x36"

This one is not for sale, because 1) I want it, and 2) It's based loosely off an image that does not belong to me, so...

Eventually I'll try my hand at a floating frame DIY. I think a thin warm wooden frame would complement this painting nicely. Maybe it will replace the map above our sofa. I used to have this rule about not showing my own work in my own house, because every painting has mistakes, even if no one else can see them, and it's not nice to be reminded of your mistakes on a daily basis. But in this case, trees trump mistakes. 

Wednesday, November 14, 2012

Oregon Painting No. 3

Here's the last painting from our Oregon summer vacation. It was a lazy afternoon near the end of our trip, and I decided to walk around the lake to Gini's dock, straight across from Mom and Dad's beautiful home. Still weird that I can't call it my home, anymore.



This is about where I got before I decided to go back inside due to the late afternoon sun/heat.


Working later on the dining room table from a photo. I don't usually mind working from small grainy photos (such as the ones produced by my lame phone) because even though it's frustrating, it's good practice. It's so much simpler to paint quickly and loosely when you're not bogged down by details.

               
"Lake House" Oil on canvas board, 8x10
There are still things I'd like to change and fix, per the usual, but I'm loving the various trees, shapes, shades of green. It's a blurry memory of home. 

P.S. Sold a painting this week (!) to a dear friend from church. It's at the framer's now. :)